Sunday, December 4, 2011

Poetry translating


Poetry

Poetry presents special challenges to translators, given the importance of a text's formal aspects, in addition to its content. In his influential 1959 paper "On Linguistic Aspects of Translation", the Russian-born linguist and semiotician Roman Jakobson went so far as to declare that "poetry by definition [is] untranslatable".

In 1974 the American poet James Merrill wrote a poem, "Lost in Translation", which in part explores this idea. The question was also discussed in Douglas Hofstadter's 1997 book, Le Ton beau de Marot; he argues that a good translation of a poem must convey as much as possible of not only its literal meaning but also its form and structure (meter, rhyme or alliteration scheme, etc.).[32]


In 2008, Taiwanese linguist Grace Hui Chin Lin [4] suggests communication strategies can be applied by oral translators to translate poetry. Translators with cultural backgrounds can oral translate poetry of their nations. For example, poetry of Tung dynasty can be introduced to people outside of Chinese communities by oral translation strategies. Also, several communication strategies for facilitating communicative limitations are applicable as oral translation strategies for interpreting poetries. Grace Hui Chin Lin translated and interpretated a number of English poetries into Chinese, using communication strategies. The book contains sufficient examples of literature translation through

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